Life Of Rodin :: essays research papers fc

Auguste Rodin was born November 12, 1840 in Paris and attended the Ecole des arts Decoratifs in Paris at age 14. Rodin had a special gift for modeling human figures and faces therefore sculpting humans is all he did. Decorators and commercial sculptors employ Rodin at a very young age. It was some 20 years before he could sculpt for himself, under the commercial sculptor Albert Carrier-Belleuse. (Auguste, 19)Rodin sculpted enhancive figures for several(prenominal) study buildings in Brussels, such as the Bourse and the Palais des Academies. He then worked on the monument to Jean-Francois Loos, the former mayor of Antwerp. Rodin did not start this monument, unless he work on it. Rodin acquired a sufficient amount of money to travel to Italy, which was an important step in his career. In 1877 he returned to Paris with his first-class honours degree major sculpture, The Age of Bronze. This piece of work showed a young man coming out of misery and depression to a state of heighten ed awareness. Critics and fellow artists archetype and in addition accused Rodin of making this piece from a plaster cast taken directly from a living person. This deeply hurt Rodin. (Auguste, 19) In 1880, Rodin was undertake by the French government to make a door for the projected Musee des Arts Decortifs. Rodin worked endlessly on the sketches for the bronze door, now titled The render of Hell. In 1883 Rodin met Camille, this is when he had reached his decisive stage in preparations for The Gates of Hell. This aspect of Rodins work and ideas has to be borne in mind considering the beginning of his relationship with Camille Claude. (Auguste, 21-22)Camille and Rodin had, at first, an interior attraction for each other. Rodin met Camille when he was an instructor correcting the work of a group of young ladies. This man was the master who could finally teach Camille a befitting strike off of artistic bearings. Rodin could knead the clay at lightning speeds and instantly create the most complex and expressive form. (Auguste, 22)In 1884, Rodin made his first portrait of Camille, an austerely bonnie head with large eyes, short hair and sharply defined features. And by 1886, Rodin was so obsessed with Camille that he followed her to England where she was staying with her friend Jessie Lipcomb and her family in Peterborough. (Auguste, 24)In the bowling pin of 1884, he was commissioned to design the monument to The Burghers of Calais, which was to become one of his major works.Life Of Rodin essays research papers fc Auguste Rodin was born November 12, 1840 in Paris and attended the Ecole des Arts Decoratifs in Paris at age 14. Rodin had a special gift for modeling human figures and faces therefore sculpting humans is all he did. Decorators and commercial sculptors exploited Rodin at a very young age. It was some 20 years before he could sculpt for himself, under the commercial sculptor Albert Carrier-Belleuse. (Auguste, 19)Rodin sculpted ornamental figur es for several major buildings in Brussels, such as the Bourse and the Palais des Academies. He then worked on the monument to Jean-Francois Loos, the former mayor of Antwerp. Rodin did not start this monument, but he work on it. Rodin acquired a sufficient amount of money to travel to Italy, which was an important step in his career. In 1877 he returned to Paris with his first major sculpture, The Age of Bronze. This piece of work showed a young man coming out of misery and depression to a state of heightened awareness. Critics and fellow artists thought and also accused Rodin of making this piece from a plaster cast taken directly from a living person. This deeply hurt Rodin. (Auguste, 19) In 1880, Rodin was contracted by the French government to make a door for the projected Musee des Arts Decortifs. Rodin worked endlessly on the sketches for the bronze door, now titled The Gates of Hell. In 1883 Rodin met Camille, this is when he had reached his decisive stage in preparations fo r The Gates of Hell. This aspect of Rodins work and ideas has to be borne in mind considering the beginning of his relationship with Camille Claude. (Auguste, 21-22)Camille and Rodin had, at first, an intimate attraction for each other. Rodin met Camille when he was an instructor correcting the work of a group of young ladies. This man was the master who could finally teach Camille a proper set of artistic bearings. Rodin could knead the clay at lightning speeds and instantly create the most complex and expressive form. (Auguste, 22)In 1884, Rodin made his first portrait of Camille, an austerely beautiful head with large eyes, short hair and sharply defined features. And by 1886, Rodin was so obsessed with Camille that he followed her to England where she was staying with her friend Jessie Lipcomb and her family in Peterborough. (Auguste, 24)In the fall of 1884, he was commissioned to design the monument to The Burghers of Calais, which was to become one of his major works.