Hamlet Literary Analysis - Stages of Grief Essay -- William Shakespear

Elizabeth Kubler-Ross developed a theory based on what she perceived to be the stages of acceptance of end. Her theory has been taken further by psychologists and therapists to explain the stages of regret in general. Kubler-Ross identified v stages self-abnegation and isolation, anger, bargaining, depression, and acceptance, as happening in that order. In William Shakespe ars hamlet, Hamlet exhibits wholly five stages of grief, we can assume in relation to the recent death of his have, exclusively not necessarily in this order, and in fact the five come out to overlap in many parts of the play.Instead of denial and isolation, which is the branch stage according to Kubler-Ross, Hamlet dwells in a state of depression. The University of atomic number 18 for Medical Sciences Department of Psychiatry states Depression occurs as a answer to the changed way of life created by the injury. The bereaved person feels intensely sad, hopeless, dead and helpless (www.uams.edu). Haml ets depression is revealed in his fourth soliloquy. Whether tis nobler in the mind to suffer/ Or take arms against a ocean of troubles,/ And by opposing them? To die, to sleep (Shakespe atomic number 18 III.i.57-60) Meditative and weary Hamlet gives up on any hope for the future. He contemplates suicide making apparent his profound state of despair. Hamlets thoughts of suicide continue in this painful speech, His canon gainst self-slaughter Oh God God/ How weary, stale flat and unprofitable,/ seem to me all the uses of this world/ Fie ont Ah fie tis an unweeded garden (I.ii.132-135) Here are a sickness of life, and even a longing for death, that strengthens Hamlets intense depression. While Hamlet may still be quality depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlets grief and his task constrain him from realizing this love, but Ophelias own behavior all the way intensifie s his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as watchmen to her heart (I.iii.46), she denies the hearts affection not still in Hamlet, but in herself and both denials add immeasurably to Hamlets sense of loneliness and lossand anger. Her rejection of him echoes his mothers inconstancy and denies him the possibility even of imagining the experience of loving an... ...r. Hamlet speaks to Horatio quietly, almost serenely, with the unexultant sedate which characterizes the end of the long, inner struggle of grief. He has looked at the face of death in his fathers ghost, he has now endured death and loss in all the compassionate beings he has loved, and he now accepts those losses as an inevitable part of his own condition. He states, The hardening is all suggesting what is perhaps the last and most difficult task of mourning, his own readiness to die (Bloom 135). Hamlet recognizes and accepts his own death. Hamlet througho ut the play lives in a world of mourning. This bereavement route he experiences can be related to Elizabeth Kubler-Rosss theory on this process. The death of Hamlets spirit can be traced through depression, denial and isolation, bargaining, anger, and acceptance. The natural wo and anger of Hamlets multiple griefs include all human frailty in their protest and sympathy and touch upon the deepest synapses of grief in our own lives, not only for those who have died, but for those, like ourselves, who are still alive. Hamlets experience of grief, and his recovery from it, is one it which we ourselves act most deeply.